From what little I understand about his works, Rubem Fonseca is a big deal in the literary world, especially representative of the best South American writers around today. It shows, after reading his new collection of short stories, The Taker and Other Stories. My initial impression is that his writing style is a close amalgam of Gabriel Garcia Marquez and Cormac McCarthy, though with a uniqueness that combines among his characters a flippant whimsy with an emptiness of deviousness, desperateness, opportunism and cruelty.
Make no mistake, Fonseca creates his stories around unique individuals and their circumstances, wealthy and impoverished; however, what distinguishes his stories and characters is that he is really writing about his native Brasil, about the desperate circumstances faced by its citizens, the corruption, their reaction to modernization, their daily sacrifices.
As if one really needed to be told, Brasil is passion. Life there is both carefree and cruel. Fonseca heaps a mixture of both in this collection of stories. He interweaves a world full of overworked and psychotic businessmen, the feasting upon rural roadkill, the camaraderie between mugger and victim, the nature of family among poor armed robbers, of murder amid good intentions, and the intense burn yet fleeting demise of love, often with fatal consequences.
Others have characterized Fonseca’s stories as unsettling, with which I agree completely. Add to that the words deeply, disturbing, engrossing, stifling, existential, and human. His stories force one to think not only about Brasilian life and culture, but the state of humanity as well. They may be short stories, but they’re so full of pathos.