A perfect exposition of science fiction, Italo Calvino’s Cosmicomics is a tender and dreamlike weaving of stories that touch upon the sheer wonder both the universe and consciousness itself. Calvino begins each story with an established scientific conjecture, thereafter placing an anthropomorphic and wildly fictitious annotation of the universe at various stages or for lack of a better word, times. Narrating from entities personified through equations and representations, predominantly through the central character Qfwfq, Calvino wistfully describes the universe through fleeting instances of love, attraction, loss, creation and change.
The stories range from the concrete to the fluid, including a time when reaching the moon is as simple as climbing a ladder, the astronomical paranoia induced from simple messages sent from distant observers and millennia, where a dinosaur ponders the significance, perhaps even the power of its own extinction, to the familial colloid particles, uncertain of their new inertia, being torn apart in the creation of matter and planets. Though all have a human feel, it is a joyous exposition of the unfathomable, alien events we cannot ponder enough.
The sentience that Calvino gives to the entities persisting and changing throughout Cosmicomics is an appreciation not only of the scientific beauty of the universe, but of the beauty of his fiction.
